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Friday, March 30, 2012

Race Theory

Decolonization

Decolonization is a violent process, but colonization is most violent. Colonizing is a regime of violence against and in a nation of people by a small group deployed to occupy, appropriate, and terrorize on behalf of another nation.

Frantz Fanon highlights the violence involved in breaking with colonialism both at the physical, geographic level as well as the cultural and theoretical level by pointing to the unrestrained violence against those who were colonized. That same lack of restraint by which they were colonized must be used to decolonize-- "to  smash every obstacle encountered" even to have a "murderous and decisive confrontation" (365). The colonized must be willing to resort to "every means" by which the order of society is constructed to destroy it.

The colonized are up against "a world divided in two" (366). First by physical/geographical barriers "the borders" set by "barracks and police stations"; second by controlling bodily mobility through agents of the colonies (both "spokesperson for the colonizer" and surveillance) such as police officers and soldiers; and third through compulsory education both moral and academic to smother them in "a mood of submission and inhibition" (366).

--"As soon as they are born it is obvious to them that their cramped world, riddled with taboos, can only be challenged by out-and-out violence" (Fanon in ST 366).
The movie Sarafina demonstrates the struggle of students living in a colonized apartheid South Africa who use the very classroom intended to enforce their submission for a site of resistance. They are emboldened by their instructor's alignment with their resistance.--

Through these means of colonization Fanon plainly states, "It is the colonist who fabricated and continues to fabricate the colonized subject" (365). The colonized are known and know themselves in contrast to the colonizer.  Rationalizing the subjugation of colonized people necessitates an ideology of "difference" (512, 522). Fanon points out that although black Americans' "existential problems differed from those faced by the Africans" that the "common denominator" was "that they all defined themselves in relation to whites" (366). The attempt to demystify the fabrication-- identifying it as an unnatural, artificial rhetorical/discursive project--is through the violent struggle of identity.

Identity and Race Theory
When considering race theory, one must consider the concept of identity. How is identity shaped? What does it mean to struggle for identity individually and communally against a backdrop of oppression that seeks to—and often succeeds at—questioning your very humanity.  Storey, West and others point to the idea that White identity was formed as an oppositional binary to “others.” White became an identity only when Europeans encountered non-white people. When non-white peoples were “discovered”, it became the trend to seek to devalue them based on concepts of “reason.” “The urge toward the systematization of all human knowledge (by which we characterize the Enlightenment) led directly to the relegation of black people to a lower place in the great chain of being…” (523).
Phyllis Wheatley
Henry Louis Gates outlines the way that writing—considered by Enlightenment minds to be “the medium of reason’s expression” (523-524)—functioned as a tool to dehumanize as well as a site of contestation and human identity formation for enslaved Africans in America during the 18th century. Those who sought to devalue African Americans’ humanity suggested that the illiteracy of enslaved African was proof of their sub-human status. Gates does not ignore the irony of the fact that many enslaved Africans were illiterate only because it was illegal for them to be taught to read or write.  Gates argues that the literature that was produced by enslaved Africans such as Phyllis Wheatley “indicted the received order of Western culture, of which slavery was to them the most salient sign” (526). The activity of the African American early literary personalities did not have the full desired effect, however. “We accepted a false premise by assuming that racism would be destroyed once white racists became convinced that we were human” (526). Instead, black literature became another way of differentiating the “race” from the norms of Western literature. Black people had achieved human identity, but that did not, as they had hoped, produce freedom or equality.
Writing is not the only way in which people of color have sought to carve out identity. West argues that black people in the West have struggled for identity amidst a “modern Black diaspora problematic of invisibility and namelessness” (517). This falls in line with many theorists as Black people are often forced to forge identities in environments where their humanity is treated as an absence.  The site of struggle for Black identity for West resides in “Black efforts to hold self-doubt, self-contempt and self-hatred at bay” (518). West cites strategies that have been used historically to attempt to create a Black identity that could combat the negative representations of Blacks created by Western pseudo-science and politics as “moralistic in content and communal in character” (518). The content of this strategy had to do with convincing the world that Blacks were morally similar to Whites. The communal character of the strategy lay in the monolithic characterization of Blackness that was presented to the world. ‘We are just like you and we are all alike in our quality of character’ is the nature of this attempt to forge a positive identity. For some, this strategy was the weakness of the civil rights movement. What might happen if those who were invested in this assimilationist strategy were forced to encounter today's Black culture? Here's ONE idea (ok I jut really think it's funny but QUITE relevant.)
 
(I apologize in advance if this offends)

West challenges the validity of these strategies based on the fact that the strategies were assimilationist in nature and had a homogenizing influence on Black identity. These strategies sought acceptance by denying difference. West argues that true and powerful identity for Black people can only be achieved if we embrace difference and investigate the places of difference in culture by demystification of power relations and suggestions for transformative praxis that highlight human agency.
Gloria Anzaldua writes of her identity as a lesbian of color with a background of Indian/Spanish (Mexican) descent. She speaks of the horrors of American appropriation of the land of her people and the dangers of living in the borderlands as integral to the shaping of her identity. Anzaldua acknowledges that, “unlike Chicanas and other women of color who grew up white or who have only recently returned to their native cultural roots, I was totally immersed in mine” (558). Anzaldua is careful to neither reject her heritage simply because it has, on occasion, rejected her as a woman and a lesbian nor glorify it to the extent that she does not address the problems in it. As a matter of fact, she sees her critique as part of her culture’s traditions. She writes, “My Chicana identity is grounded in the Indian woman’s history of resistance. The Aztec female rites of mourning were rites of defiance protesting the cultural changes which disrupted the equality and balance between female and male” (557-558). Anzaldua believes that to live well in the space of her identity requires honoring her culture with integrity while critiquing it with that same integrity. She cites her full immersion in her culture and her exposure to influences beyond her culture as the space where her identity exists and finds its uniqueness.
The Matrix of Domination and Black Feminist Thought
Gloria Anzaldua’s position as an outside insider in her community points to another concern that has become prevalent in race theory (as well as feminist theory) in recent years. This concept is the Matrix of Domination. Because Anzaldua is a woman of color and a lesbian, is vulnerable to racism, sexism and heterosexism. Because she comes from people who have been historically exploited and whose citizenship and humanity are constantly questioned and contested, she is vulnerable to classism. These oppressions cannot and should not be considered apart from one another according to those who study the matrix of domination. They should, instead be considered different axes in a matrix. The axes intersect one another at the levels of personal experience, community engagement and social institutions. The forces acting in the matrix, instead of a series of separate oppressions, are a set of “interlocking oppressions” (541) where, “each system needs the others in order to function” (542).
For Patricia Hill Collins, the best articulation of the matrix of domination as experienced by Black women is the intersection between race, class and gender. This is not to say that Black women do not experience domination on other axes nor is it to say that Black women are the only people who experience the matrix along these three axes. These three axes are just the most likely to be experienced by all women of color to varying degrees. The matrix of domination affects everyone.  No one escapes it and there are “few pure victims or oppressors” (546). Everyone can identify a space in which they are oppressed and some space in which they might be privileged.
Besides varying degrees and the multiplicity of axes upon which domination can operate, Collins also points to different levels of domination, “the level of personal biography; the group or community level of the cultural context created by race, class and gender; and the systemic level of social institutions” (545). The individual biography helps the woman to make meaning. That meaning is validated, invalidated or adjusted within the community context and helps the woman navigate institutions. The importance of the individual biography and the cultural context for meaning-making in Black Feminist Thought is the reason why, unlike other feminisms requires, “Living as an African American woman,” is a “necessary prerequisite for producing Black feminist thought” (547).
If only Black women can participate in Black feminist thought, how can they challenge the matrix of domination on any real level? Collins argues that the space for challenging the matrix consists in the understanding that all knowledge is situated, subjugated and partial. If we remain conscious of these conditions of knowledge, then we become capable of having, “dialogue with empathy,” which includes centering each voice as it speaks in the larger dialogue while acknowledging the partial nature of all standpoints (551). All voices can be heard and all subjects understand each other as speaking from separate standpoints in the same discourse.

Questions for Reflection:
1) Do you see yourself in your current situation as oppressed within the matrix of domination? Do you see yourself as privileged? Explain how for each.

2) If you were asked to define your primary identity in ten words or less, how would you do it. Would race be a factor? Would the races of others who are different from you be a factor? How so?

3) Has decolonization thoroughly taken place? Is the removal of physical barriers and the scientific acknowledgement that "Human biology does not divide people into different 'races'" end colonization (167)?
4) According to Fanon, West, and Gates, what is the role of the intellectual or the teacher in the struggle against "essentialist rhetorics" deployed against people of color  (519)?

6 comments:

  1. Excellent job Alaenor as always.

    I am fascinated by a characteristic that continually reemerges in American culture – heroism. Story’s discussion about the Vietnam war highlighted the self-aggrandizing attitude of America. Hollywood’s depictions of the heroes/villains of the war and U.S. presidents’ describing the American soldier as the “victim” of the war begs the question: Can America do no wrong? Of course, no one wants to look bad. But it seems like the U.S. takes its self-righteousness a tad to the extreme. Why is that? We have already discussed mythologies in detail in the section about Barthes, but I kept going back to it as I read the section about Orientalism. Barthes’ “guiding principle is always to interrogate ‘the falsely obvious,’ to make explicit what too often remains implicit in the texts and practices of popular culture. His purpose is political; his target is what he calls the ‘bourgeois norm’” (CTPC 118).

    I think the need for the U.S. to emerge the hero even at the expense of calling other countries the villains is engrained in the mind of anyone who ever attended elementary school in the U.S. as a child. We learn early on about the repeated sacrifices made for the good of the country. Those sacrifices were made by the soldiers who fought in the American Revolution and the Civil War. We even memorize the Gettysburg Address: “We here highly resolve that these dead shall not have died in vain.” We learn to honor the country because of past sacrifices, and contemporary injunctions call us to make sacrifices (e.g. “ask not what your country can do for you but what you can do for your country”). These notions give value to America—our country is something that should be fought/sacrificed for because it is valuable and we owe it to those who have given their lives for it. So then what does it mean to be a true American? It means to sacrifice for the good of the country. Many sacrifices can be beneficial, but the principle of sacrifice must be understood correctly—for what are you sacrificing and what is the result of that sacrifice.

    This sense of devotion to our country forms ideologies which are symbolized in, what Michael McGee would call, an ideograph. Devotion to our “country,” fighting for our “country,” sacrificing for the good of the “country,” and countless diachronic connotations bound in the word “country” have engrained in the American psyche a global position of the country (because of its “worth”). Furthermore, because it is OUR country (worth dying and killing for), we Americans now understand our own worth as we are people of that country. How do we then view those of other countries?

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  2. Yes, as a black single-mother aspiring to make films, I see myself as being oppressed within the matrix of domination. The matrix is the union of social factors, including gender and race, which I find to be my specific place in the matrix of domination. Collins says that none of these systems of the matrix can be discussed alone, they are interconnected an they all have an affect on each other. I describe myself as a black single-mother with the desire to make films and at times I've felt that I've been oppressed and race and gender have been a factor. They've both had a significant impact thus far as my role as a mother and a student of film.

    The film industry is dominated by caucasian males,so I realize the odds that are stacked against me and all women, but for me as a black woman, it's more complicated. However, I didn't realize that I would ecounter issues so early on as a student of filmmaking. A few years ago, I took a film class and during this time I was the only female in the entire class. Not only that, but I was the only African-American also. Well, throughout the semester, it always appeared to me that I was taking a backseat to the males in the class. For me, it was less about race, although I did feel it played a tiny part in it, but more about gender. I was excluded from everything, including group projects. The guys worked together but I was left to work by myself, which I proudly did and my projects came out great. I felt empowered by being able to create, write and film my own projects. But, I didn't believe I was taken seriously in the class. It was if I was just there to take up space and my thoughts and ideas didn't matter. It was pretty obvious I wasn't taken as a serious filmmaker. But I knew I was there to get one thing, an eduation, so that I would be able to achieve the goals I'd set for myself. Although I went through that experience, I realized the privileges that I had. I was able to go to college, sit in the class amongst all those guys and learn the exact same things they learned and finally to walk on stage to receive a degree in filmmaking, which I finally did. That's something they can't take away. The matrix of domination affects anybody, not just the African-American woman and anyone can identify a space which the're oppressed or might be privileged.

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  4. John Storey’s explanation of Orientalism, particularly its use by Hollywood in films about the Vietnam War (“Conflict”), represents how colonization abandons physicality only to impregnate ideology. As Brian has mentioned, these war-based ideologies try to create a missing sense of heroism, but I think more frighteningly they try to cover up a serious failure in the history of our country. One of the results of this ideological cover-up is a “war…lived cinematically”(CTPC, 177). The actual memories of deployed soldiers and civilians regarding the war become indiscernibly mixed with the cinematic depiction of the war. This translates into a history dependent on racism and a colonizing mindset that we do not learn from and insist upon repeating (CTPC, 178).

    In addition to creating a comforting memory of failure, Hollywood movies about Vietnam permit and encourage historical accuracy when it comes to the racism of the soldiers. I personally know the various racist slang terms for the Vietnamese peoples because of these movies. I consider this Hollywood urge for historical accuracy to be more damaging than helpful and an excuse for filmmakers to live and spread racism. Of course, this trend is not limited to movies about the Vietnam War. Any movie that seeks to depict the past has the "right" to wallow in racial ignorance.

    In my documentary class we watched a video piece about the My Lai massacre, an incident during the Vietnam War, where hundreds of unarmed Vietnamese civilians were slaughtered by American soldiers. The massacre, which happened in 1968, did not reach the press until a year after it occurred. In my class, we watched the documentary on a crackling VHS tape because this kind of movie is not distributed widely and so the incident becomes hazy in the collective memory. Now, in Afghanistan, a U.S. soldier has killed sixteen innocent Afghan civilians. What does this say about the lessons of history and the supposed absence of present day physical colonization and racism?

    In Ursula LeGuin’s book The Lathe of Heaven, the main character dreams up a world where racism is absent and everyone has the same gray skin color. The situation, though seemingly a kind of utopia, doesn’t work. Cornel West writes how “the new cultural politics of difference are to trash the monolithic and homogeneous in the name of cultural diversity, multiplicity and heterogeneity; to reject the abstract, general and universal in light of the concrete specific and particular”(ST, 511). West also locates a “double bind” in this methodology because the intellectuals who can identify the need for change within institutions are also financially dependent upon these very same institutions. “There can be no artistic breakthrough or social progress without some form of crisis in civilization” (ST, 512). This may mean that intellectuals and teachers can only serve as a spark for a larger need to burst into a flame of change.

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  5. As a white male, I find it incredibly difficult to tackle the issue of race. For obvious reasons. When people talk about “the man” keeping people down... you see where I’m going with this, right?

    Now, onto the question at hand. Does race factor into my identity? Yes and no. As I stated before, even approaching the subject is difficult. Do I think that me being a white male impacts the way my life has gone? Sure. Does it afford me certain advantages in life? Yeah Is there a boys club, especially in a field like filmmaking? You better believe it. Especially at the University level because most of the males that are in these film classes have little to no experience dealing with females ever. And when I say dealing with females, I mean at the most basic level- like talking to girls. (My advice to them, date a feminist. A real Pro-Choice, Anti-Palin feminist. You climb that mountain, talking to the girl in your film class and working on projects will be a breeze.)

    Also, you have to consider that these white males (especially those of a suburban variety) have a predisposition to the films of Michael Bay, Chris Nolan (who I actually do like) and whoever that guy that made Boondock Saints was (Duffy). They’re like “The Walking ID.” The overwhelming majority of the student films they produce are: violent, feature copious amounts of blood, some sort of gun(s), and roles that totally defy any sort of appropriate age.

    At the same time, being a white male kinda sucks. People view you as privileged and lazy. Well, you’re in the boys club, what do you know about struggle and rejection? Plenty, it’s called high school and dating. Not to mention the fact that I’m grouped in with the aforementioned toolboxes of the world, when I myself have no intentions of working on any piece that in anyway resembles anything remotely Boondocky or Sainty.

    So, what I’m trying to say is that it’s a double edged sword. Yeah, there’s definite benefits to being a white male. Things are easier, but there’s drawbacks to. Ultimately, I’d gladly give up any of the benefits of my situation and be holistically evaluated based upon my talents, achievements, and skill set because 1.) It creates a level even playing field and 2.) I know that those things speak for themselves.

    I may be whitey, but let it be known I'm not trying to keep anyone down.

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  6. As Storey states, racism first developed as a defense of slavery (p168) in the 18th century. The British needed cheap labor to maximize the opportunities of the Colonies. Unfortunately, there were certain minimum working conditions that had to be met. The merchants could not just force people to sail to the new land and work. They needed labor that was cheap, plentiful, and not people. By coincidence, a system of biological classification had been invented by Carolus Linnaeus in 1735 and published as the Systema Naturæ. Science had just given them an answer.

    Of course this was in no way the first time white Europeans came across people of color. Most of western civilization to that time was centered on the Mediterranean, where one would encounter people of all shades. And from the beginning of time, one group has hated another. We are social creatures, hard wired to living in groups. And like every other animal that lives in groups, when two groups compete for the same resources, they fight. Many creatures, from bugs to lions, can smell who is in and who is out. We are less talented, but still our instinct is to protect our group from the Other. Thus identifying the Other has always been important. Trojans, Spartans, Jews, Gentiles, Muslims, Romans, Anglo-Saxons…the list goes on. As soon as you can identify someone as not us, it becomes a reason to attack, enslave, or destroy. For this very reason, war rhetoric has consistently de-humanized the Other. The Egyptians did it to the Jews, so did the Germans. The Japanese did it to the Chinese in WWII. We did it to the Japanese and Vietnamese in that war. The basic idea is, if they are not human, it is ok to do whatever terrible thing we are trying to do.

    This is not limited to just war time. Hate of the Other has occurred in the US every time there has been a wave of immigrants. I have picture of signs that say “No Dogs, No Irish” and “Help Wanted, No Irish” In hard economic times this tends to get worse. Not many people complained about Mexican immigrants during the housing boom, but now that it has gone bust…well, that’s different.
    So for a few hundred thousand years survival depended on discerning Us from Others, and for humans, the fastest way to do that is skin color. Until just a few hundred years ago, skin color was the most reliable way of knowing someone wasn’t from around here, thus Other. Over the course of human history, the oppression, mistreatment, abuse and atrocities inflicted on one group by another have been done with countless reasons for marking Other. I don’t believe injuries suffered under racism have been any worse than those caused by religious hatred, cultural hatred, or just plain greed. Nor have they been any less. We are just really good at hurting Others and we will use whatever reason is most convenient.

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